Precision mechanics
Structure and mechanism drawn, dimensioned, fitted. What is set once is set for the whole series.
Do the impossible.
No. 001 · MMXXVI · Lyon
Air360 · in performance
ScrollMade in France
01 / The stage
A guest steps up, lies down, and leaves the ground. Not on a distant stage: among the crowd, within arm’s reach, beneath their phones.
A grand illusion is made for that moment, when the audience stops searching and starts watching.

The film
“What if one of your guests took flight?”
Just over a minute, filmed in real conditions, among the guests.
Previous version · new film in preparation
You see the workshop.
Behind the curtain
The audience sees the impossible.
In front of the curtain
02 / The workshop
Apparatum designs and builds its illusions the way one builds an instrument: so that they work on the two-hundredth night as they did on the first.
We manufacture with industrial tools, on a fleet of machine tools worth several tens of millions of euros. Our idea is simple: to give every illusionist, including those just starting out, access to equipment that only the great shows could once afford. Robust illusions, built to last.
Structure and mechanism drawn, dimensioned, fitted. What is set once is set for the whole series.
The machine counts its cycles. It knows how many times it has performed, and when it needs servicing.
A system of our own design, which you will not find anywhere else. That is also why we do not show it.
“You read an A, then you see the mechanism: three parts turning around a void.”
Our mark states our method. Every part is drawn, dimensioned, then produced through an industrial process, and every machine passes a final inspection before leaving the workshop.
An illusion has no room for approximation: on stage, the slightest hesitation shows.

03 / The first piece
The levitation of an audience member, fully programmable.
A member of the audience lies down and rises, in the middle of the spectators. Air360 is performed completely surrounded, at 360°, a few steps from the audience: from close-up to the main stage, it adapts to every format.
Launch price · first series
€4,000 excl. VAT
In production now. The price will rise after the first series.
We do not show the mechanism or the plans online. The magicians who perform it will learn more.
04 / What changes
Air360 keeps the effect and rethinks everything else: the mechanics, the drive, the way it is controlled.
New timings and a much smoother lift. No more elevator effect: the body leaves the ground as if it were floating.
Quieter, so that nothing gives the rise away, even from the front row.
The levitation and the music start together, from the same cue list. MIDI inputs for other control systems.
Trigger the levitation remotely, at the exact moment, without going near the machine.
They wear far less, and each one is tracked: maintenance happens at regular intervals, before a failure.
When Air360 improves, machines already delivered benefit. Keeping every unit up to date matters a great deal to us.

05 / The lineage
Air360 descends from a French invention: the Spontus 360, created by Olivier Guernion, known as Spontus, a magician and inventor based in the Oise. It was the first levitation of a spectator visible from all around the subject, and he sold it to magicians all over the world.
Hugo Marceau was one of its last buyers. The illusion was remarkable, but some technical limits could not be solved at the scale of a lone craftsman. We took it up with industrial means, under a new name, to make it our own illusion.
Thérèse, Olivier’s wife, gave us her blessing to continue this work. We remain in touch with her.
Read the full storyN° 001 · MMXXVI
Lyon · France
06 / The register
Each unit receives a brass serial plate and the workshop’s seal. Its number follows it throughout its life.
07 / In performance
Air360 is performed at 360°: the spectators are all around, a few steps away, and watch a member of the audience leave the ground. That is what makes it so versatile.




For close-up magicians
You perform close-up? Finish with a grand illusion.
After the cards and the coins, a guest rises in the middle of the room. It is the “wow” people are still talking about the next day.
It is also one more service to offer your clients: the levitation of a person. The ideal step up, and a real way to stand out in your market.
The finale nobody expects, and one more option in your quotes.
The highlight of a show, performed among the audience or on stage.
Family and all-ages shows: a moment children talk about on the way home.
Galas, seminars, evening events: the effect among the guests.
08 / The training
Come to our workshops. Over two days, we set up the machine with you and build the staging, the cue list and the music, until the act feels like your own.
Dates and funding arrangements being finalised
Be notified of the first dates09 / The heritage
Clockmakers, mechanics, men of the stage: those who invented the grand illusion worked in workshops. Apparatum picks up their work where they left it.
Clockmaker from Blois. Automata, Soirées fantastiques, the stage as precision mechanics.
Born in Caluire, at the gates of Lyon. The vanishing lady, the growing cube: the inventor of the modern grand illusion.
In Lyon, the first machine for manufacturing illusions. Auguste Lumière, a conjuror himself, went on to found the Amicale Robert-Houdin in Lyon, still alive today. At the Théâtre Robert-Houdin, Méliès turned cinema into magic.
Film producer and magician, first prize for grand illusion and invention at FISM. His collection and his books gave Robert-Houdin back his place in history.
An inventor from northern France, winner of the Magicus grand prize for his vertical bar stool levitation. His book of grand illusions became a reference.
By combining two illusions from Yogano's book, Olivier Guernion created the first levitation of a spectator visible from every side. Yogano congratulated him, saying he had never thought of it himself.
Grand illusions conceived and built in Lyon, for the stages of the world.
10 / How we work
Your act, your venues, your touring constraints.
An agreement signed before any technical information.
Options, lead time and delivery, in euros or dollars.
Structure, mechanism, electronics, then final inspection.
Serial plate, seal and handover.
11 / Reserve or request a quote
Every request is read and receives a personal reply. Tell us where you perform and what you have in mind.